In Part One I chose; Dom DeLuise Egg Trick; Rodney Dangerfield September 2, 1974; Drew Carey debut; Tim Conway debut; the famous “Copper Clappers” bit, with Jack Webb; and the debut of ZZ Top, May 16, 1986, performing their hits, “Sharp Dressed Man” and “Tush”.
This “Stand Out Single” reached number one on the Billboard Hot Country Singles chart in February 1974.
Dolly Parton’s single “Jolene” / “Love, You’re So Beautiful Tonight” was released on October 15, 1973, by RCA Victor, and it quickly became one of the defining records not only of her career but of modern country music. “Jolene,” written solely by Parton, was produced by Bob Ferguson and served as the title track of her 1974 album Jolene.
These are songs that contain the word “take” in their lyrics.
“Fearless” is a song by Taylor Swift written by Swift and Liz Rose and originally released in 2008 on Swift’s second studio album Fearless, with production by Swift and Nathan Chapman, and it functions as a thematic mission statement for the album’s idealized vision of youthful bravery, romantic optimism, and emotional openness,
This is a series of posts that will talk about my favorite original Christmas songs. See if you agree with any of these!
In part one I chose “Have Yourself a Merry Little Christmas”, “Winter Wonderland”, “The Christmas Song”, “Jingle Bell Rock”, A Holly Jolly Christmas”, and “Frosty the Snowman”. I’ll choose 6 more here.
These artists were guitar players and a founding member of the band KISS; a movie and TV star an actress in the BBC sitcom Fawlty Towers; was a movie star in such as Alice Doesn’t Live Here Anymore, and TV like Kingdom Hospital; and a drummer in bands like Squeeze and for Jools Holland.
The Country Caravan featured a mix of lively DJ sets, jam-packed talent showcases, and major events.
WPLO-AM 590’s Country Caravan was a defining force in Atlanta radio during the late 1960s and throughout the 1970s, marrying music, community, and personality in a way that few stations ever matched. The real Country Caravan era emerged during this time, featuring a mix of lively DJ sets, jam-packed talent showcases, and major events billed as the “WPLO Shower of Stars.” These weren’t just concerts—they were full-scale country happenings.
All the photos in this post are from my Mother’s collection of Country Music memorabilia. They were taken by me, either at Nalley or Sandy Springs WPLO Caravan in July 1967.
Mother loved Country Music and Patsy Cline was one of her favorites.
Patsy Cline, born Virginia Patterson Hensley on September 8, 1932, in Winchester, Virginia, remains one of the most revered voices in American country music history. Raised in a working-class family during the Great Depression, her early years were marked by hardship. Her father, Samuel Hensley, left the family when she was young, leaving her mother, Hilda, to support Patsy and her siblings.
These songs all have cool, strange, and or notable last lines of the lyrics.
“Taxi,” written and performed by Harry Chapin, was released in 1972 as the lead single from his debut album Heads & Tales. The song, a poignant storytelling ballad, recounts a chance encounter between a taxi driver and his former lover, Sue, highlighting how both abandoned their youthful dreams—he aspired to be a pilot, she an actress—and settled into unfulfilled lives.
Songs that contain the phrase “Wavy Hair” in the lyrics.
Emmylou Harris’s rendition of Mr. Sandman was released on her 1981 album Evangeline. Written by Pat Ballard in 1954, the original version became a hit for The Chordettes, with other notable covers by the Andrews Sisters and later by Chet Atkins. Harris’s interpretation adds a country twist, blending harmonies with Dolly Parton and Linda Ronstadt,
Someday soon we all will be together
If the fates allow
Until then we’ll have to muddle through somehow
So have yourself a merry little Christmas now
“Have Yourself a Merry Little Christmas,” one of the most beloved holiday songs, was written by Hugh Martin and Ralph Blane for the 1944 MGM musical Meet Me in St. Louis. Judy Garland introduced the song in the film, delivering a poignant performance that captured its bittersweet essence. Over the decades, it has become a holiday standard, with numerous notable covers. Frank Sinatra recorded a more upbeat version in 1957 for his album A Jolly Christmas from Frank Sinatra, after asking Martin to revise the lyrics.