This is a series of posts that will talk about my favorite Keyboard players.
In Part One I chose; Keith Emerson, Rick Wakeman, Eumir Deodato, Gershon Kingsley, Jon Lord, and Elton John. I’ll keep it going here with some more excellent ticklers of the ivories!
This is a series of posts that will talk about my favorite drug related songs. See if you agree with any of these!
In part one I picked, “Novocaine for the Soul”, “Day Tripper”, “The Pusher”, “White Rabbit”, “The Acid Queen”, and “Poppies”. Here I’ll write about another six that I’ve always liked. “Comfortably Numb” is one of Pink Floyd’s most enduring and psychologically resonant songs, written primarily by David Gilmour with lyrics by Roger Waters
These are songs that contain “Help Me” in their lyrics.
“Help Me” is a song written and recorded by Canadian singer-songwriter Joni Mitchell, released in March 1974 as the lead single from her critically acclaimed album Court and Spark. Blending elements of folk, pop, and jazz, the song features Mitchell’s signature lyrical introspection and was produced with jazz-fusion band L.A. Express,
This “Stand Out Single” contains a bass riff that is often cited as one of the most recognizable in rock history.
“Money” is one of Pink Floyd’s most iconic songs, originally appearing on their 1973 album The Dark Side of the Moon. Written by Roger Waters, the song was released as a single in the United States in May 1973 and later in other territories. “Money” is notable for its distinctive 7/4 time signature during the verses — quite unusual for rock music —
These songs all have cool, strange, and or notable last lines of the lyrics.
“Taxi,” written and performed by Harry Chapin, was released in 1972 as the lead single from his debut album Heads & Tales. The song, a poignant storytelling ballad, recounts a chance encounter between a taxi driver and his former lover, Sue, highlighting how both abandoned their youthful dreams—he aspired to be a pilot, she an actress—and settled into unfulfilled lives.
Green as in envious.
The British use of “green” to mean “envious” originates from ancient associations between the color green and emotions like jealousy and envy. This connection dates back to at least Shakespearean times, as seen in Othello (1603), where Iago refers to jealousy as the “green-eyed monster.” In modern British English, saying someone is “green with envy” remains a common idiom, meaning they are intensely jealous.
Faithfull’s musical journey began in 1964 when she attended a Rolling Stones party.
Marianne Faithfull, born Marianne Evelyn Gabriel Faithfull on December 29, 1946, in Hampstead, London, was the daughter of Major Robert Glynn Faithfull, a British Army officer and professor of psychology, and Eva von Sacher-Masoch, an Austrian baroness and ballet dancer. Her parents’ marriage dissolved when she was six, leading her to spend part of her childhood in a convent school. This early exposure to both privilege and discipline would later influence her artistic sensibilities.
No matter matter what , You’re gonna gonna get the girl , I really want to, Gotta gotta get the girl
Artists have often written, and performed, songs with the sounds of a past era. Here I’ll discuss some of the fun ones that I have enjoyed over the years. I’ll start with six of my favorites, and then in Part Two, I’ll expand this list. Enjoy!
We’re just two lost souls, Swimming in a fish bowl, Year after year
“Wish You Were Here” is one of Pink Floyd’s most beloved songs, featured as the title track on their 1975 album “Wish You Were Here.” The song is widely considered a tribute to the band’s original frontman, Syd Barrett, who had to leave the group in 1968 due to mental health issues exacerbated by heavy drug use. The song “Wish You Were Here” was primarily written by Roger Waters and David Gilmour, the band’s bassist and guitarist, respectively.
So what is the average length of a song these days? The average length of a popular song, according to the most recent Billboard Hot 100, is about 3 minutes and 30 seconds. Hit songs are about 3 minutes long because of two major factors: the historic popularity of the 45 rpm record and the monetization methods applied by radio stations and record producers throughout the 20th century. Here I’ll discuss some of my all-time favorite lengthy tunes.
