The Moody Blues – Doyle’s Space: Music Hall of Fame

Breathe deep the gathering gloom
Watch lights fade from every room
Bedsitter people look back and lament
Another day’s useless energy spent

The Moody Blues were formed in Birmingham, England, in 1964, emerging from the fertile Midlands beat scene that had already produced The Spencer Davis Group and other rhythm-and-blues-inflected acts. Originally conceived as a harmony-driven R&B band, the group took its name from the Duke Ellington composition “Mood Indigo,” reflecting both their jazz awareness and their desire for a slightly more sophisticated image than many contemporaries.

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Lyrical: “Clothes” (Part One)

These are songs that contain word “clothes” in their lyrics.

“Underneath Your Clothes” is a lush power-ballad by Colombian singer-songwriter Shakira from her fifth studio album Laundry Service (released as a single in early 2002), written by Shakira and longtime collaborator Lester Mendez, and produced by both of them; it showcases a blend of pop and soft rock with Beatles-style brass touches and an

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My Favorite Songs With One Word Titles (Part 1)

This is a series of posts that will talk about my favorite songs that have a one word title. See if you agree with any of these!

“Jessica” is an instrumental composed by Dickey Betts and released by the Allman Brothers Band in 1973 on the album Brothers and Sisters, emerging during a pivotal moment for the group as they regrouped creatively after the deaths of Duane Allman and Berry Oakley, with Betts stepping forward as the band’s principal melodic architect.

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Lyrical: “16” or “Sixteen” (Part One)

These are songs that contain the number “16” or word “Sixteen” in their lyrics.

“Christine Sixteen” is a song by Kiss written by Gene Simmons and released on the band’s sixth studio album Love Gun in 1977, emerging from the same late-1970s creative surge that cemented Kiss as arena-filling rock stars. Musically, the track is built on a swaggering mid-tempo groove with a prominent bass line, handclaps, and a call-and-response feel that reflects

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Lyrical: “Take” (Part One)

These are songs that contain the word “take” in their lyrics.

“Fearless” is a song by Taylor Swift written by Swift and Liz Rose and originally released in 2008 on Swift’s second studio album Fearless, with production by Swift and Nathan Chapman, and it functions as a thematic mission statement for the album’s idealized vision of youthful bravery, romantic optimism, and emotional openness,

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My Favorite Drug Songs (Part Two)

This is a series of posts that will talk about my favorite drug related songs. See if you agree with any of these!

In part one I picked, “Novocaine for the Soul”, “Day Tripper”, “The Pusher”, “White Rabbit”, “The Acid Queen”, and “Poppies”. Here I’ll write about another six that I’ve always liked. “Comfortably Numb” is one of Pink Floyd’s most enduring and psychologically resonant songs, written primarily by David Gilmour with lyrics by Roger Waters

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My Favorite Songs About Criminals (Part One)

This is a series of posts that will talk about my favorite songs about criminals. See if you agree with any of these!

“30 Days in the Hole” is a gritty hard-rock and blues-rock anthem written by Steve Marriott and first released in late 1972 by the English band Humble Pie as a single from their fifth album Smokin’ and later embraced as an album-oriented and classic rock staple despite failing to chart when originally issued; Marriott’s raw, soulful vocals

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Original Popular Christmas Songs (Part Two)

This is a series of posts that will talk about my favorite original Christmas songs. See if you agree with any of these!

In part one I chose “Have Yourself a Merry Little Christmas”, “Winter Wonderland”, “The Christmas Song”, “Jingle Bell Rock”, A Holly Jolly Christmas”, and “Frosty the Snowman”. I’ll choose 6 more here.

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Lyrical: “Jesus” (Part One)

These are songs that contain “Jesus” in their lyrics.

“Tower of Babel,” written by Elton John with lyrics by Bernie Taupin, appears on the 1975 autobiographical album Captain Fantastic and the Brown Dirt Cowboy, where it serves as one of the darkest and most biting commentaries on the duo’s early struggles in the London music scene. The song paints a stark portrait of a world filled with

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Lyrical: “White Knight” (Part One)

These are songs that contain the phrase “White Knight” in their lyrics.

“White Rabbit” by Jefferson Airplane emerged in 1967 as one of the defining psychedelic rock statements of the San Francisco scene, written solely by Grace Slick before she joined the band and first performed with her earlier group The Great Society, though the famous version appeared on Jefferson Airplane’s Surrealistic Pillow with a dramatic Spanish-bolero build influenced by Ravel’s Boléro

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