My Favorite Patriotic Songs

This is a series of posts that will talk about my favorite Patriotic Songs!

Johnny Cash’s 1974 spoken-word classic “Ragged Old Flag” stands as one of the most distinctive patriotic recordings in American music, blending storytelling, history, and national reflection into a three-minute recitation that remains closely associated with both the singer and the American flag itself.

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“The Battle of New Orleans” / “All for the Love of a Girl” – Doyle’s Space: Music Hall of Fame – SOS Award

This “Stand Out Single” was one of my Mother’s 45s that I kept in my play stack growing up.

Johnny Horton’s 1959 Columbia Records single “The Battle of New Orleans” backed with “All for the Love of a Girl” became one of the defining country-pop releases of its era and helped establish Horton as one of the premier story-song performers in American music. Released on April 6, 1959,

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My Favorite Songs with Female Vocals (Part Two)

This is a series of posts that will talk about some of my favorite songs by Female vocalists. See if you agree with any of these!

In part one I chose “Boogie Woogie Bugle Boy” – Andrew Sisters, “Over the Rainbow” – Judy Garland – “Sleep On” – Alison Krauss, “Gypsys, Tramps & Thieves” – Cher, “What Is Life” – Olivia Newton-John, and “Tear Off Your Own Head” – the Bangles. Here are six more:

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Lyrical: “16” or “Sixteen” (Part One)

These are songs that contain the number “16” or word “Sixteen” in their lyrics.

“Christine Sixteen” is a song by Kiss written by Gene Simmons and released on the band’s sixth studio album Love Gun in 1977, emerging from the same late-1970s creative surge that cemented Kiss as arena-filling rock stars. Musically, the track is built on a swaggering mid-tempo groove with a prominent bass line, handclaps, and a call-and-response feel that reflects

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Lyrical: “Jesus” (Part One)

These are songs that contain “Jesus” in their lyrics.

“Tower of Babel,” written by Elton John with lyrics by Bernie Taupin, appears on the 1975 autobiographical album Captain Fantastic and the Brown Dirt Cowboy, where it serves as one of the darkest and most biting commentaries on the duo’s early struggles in the London music scene. The song paints a stark portrait of a world filled with

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Lyrical: State Names (Part One)

These are songs that contain States names in the lyrics or title.

“I’ve Been Everywhere” is a rapid-fire novelty song originally written in 1959 by Australian country singer-songwriter Geoff Mack, who crafted it as a tongue-twisting travelogue listing dozens of towns across Australia, but it was later adapted to American geography in 1962 by Hank Snow,

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Lyrical: “Salvation Army” (Part One)

These are songs that contain “Salvation Army” in their lyrics.

Hazy Shade of Winter is a song written by Paul Simon and originally recorded by Simon & Garfunkel in 1966, released as a standalone single before appearing on later compilations. The track, with its urgent tempo and melancholic lyrics, reflects on the passage of time and lost opportunities, using the changing seasons

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Lyrical: “Son of a B**ch” (Part One)

These are songs that contain “Son of a Bitch” in their lyrics.

“Worse Comes to Worst” is a song written and performed by Billy Joel, released in 1974 on his second studio album, Piano Man. The song blends rock with elements of country and R&B, reflecting Joel’s eclectic musical influences. With lyrics expressing resilience in the face of life’s unpredictability

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Lyrical: “FM” (Part One)

These are songs that contain FM in their lyrics.

“My Church,” the breakout debut single by Maren Morris, was co-written and co-produced with the late songwriter Busbee and released in January 2016 as the lead single from her major-label debut album, Hero . The song uses the metaphor of a car ride with the radio playing classic country legends like Johnny Cash and Hank Williams

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Lyrical: Circle(s) (Part One)

These are songs that contain “Circle(s)” in their lyrics.

Lady Gaga’s 2025 single “Abracadabra,” the second release from her album Mayhem, marks a dynamic return to her theatrical pop roots. Co-written with Andrew Watt, Henry Walter (Cirkut), and members of Siouxsie and the Banshees, the song incorporates elements from their track “Spellbound,” blending electropop, dance-pop, and acid house influences. Lyrically, “Abracadabra” explores themes of self-doubt and resilience,

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