With a few red lights, a few old beds
We made a place to sweat
No matter what, we get out of this
I know, I know we’ll never forget
Deep Purple emerged in 1968 as one of the pioneering forces of what would soon be labeled hard rock and heavy metal, although their earliest recordings reflected a far broader and more experimental musical identity. The band was formed in Hertford under the initial name Roundabout,
This is a series of posts that will talk about my favorite double albums. See if you agree with any of these!
The Beatles’ self-titled double LP, released on 11-22-1968 and later universally known as the “White Album,” was created by the Beatles at the height of their late-period experimentation and issued on their new Apple label, presented in a gatefold sleeve conceived by Richard Hamilton that rejected the vibrant imagery of Sgt. Pepper in favor of a stark white jacket with an embossed
This is a series of posts that will talk about my favorite songs with screams. See if you agree with any of these!
“Child in Time” is a monumental song by Deep Purple, written by all five members of the Mark II lineup—Ian Gillan, Ritchie Blackmore, Roger Glover, Jon Lord, and Ian Paice—and first released on the 1970 album Deep Purple in Rock; inspired in part by “Bombay Calling” by It’s a Beautiful Day, the band transformed it into a 10-minute anti-war epic that showcases
These are songs that contain States names in the lyrics or title.
“I’ve Been Everywhere” is a rapid-fire novelty song originally written in 1959 by Australian country singer-songwriter Geoff Mack, who crafted it as a tongue-twisting travelogue listing dozens of towns across Australia, but it was later adapted to American geography in 1962 by Hank Snow,
This is a series of posts that will talk about my favorite Rock Operas. See if you agree with any of these!
I’ll list some of my favorite rock operas in this series of posts. A rock opera is a collection of rock songs that together tell a unified story or follow a central theme, often with characters and a narrative arc like a traditional opera. Unlike concept albums, rock operas are typically more theatrical and may be adapted for stage or film.
This is a series of posts that will talk about my favorite Keyboard players. See if you agree with any of these!
Keith Emerson was a groundbreaking British keyboardist and composer, best known as a founding member of the progressive rock supergroup Emerson, Lake & Palmer (ELP). Renowned for his virtuosic technique, Emerson merged classical music with rock in innovative ways,
When I was a little girl, I had a rag doll; The only doll I’ve ever owned
“River Deep, Mountain High” is a seminal track in pop and soul music, often hailed as one of the greatest productions of the 1960s. The song was written by Phil Spector, Jeff Barry, and Ellie Greenwich,
Now you’re messin’ with a ….
Great rock song intros have an extraordinary ability to immediately draw listeners in, creating a powerful first impression that sets the tone for the entire track. These intros often feature distinctive guitar riffs, commanding drum beats, or evocative melodies that can evoke a wide range of emotions from anticipation to exhilaration. The use of innovative instrumentation and dynamic rhythms helps to establish the song’s identity right from the start, often becoming iconic elements that are instantly recognizable.
Down at the edge, round by the corner, Not right away, not right away, Close to the edge, down by a river, Not right away, not right away
So what is the average length of a song these days? The average length of a popular song, according to the most recent Billboard Hot 100, is about 3 minutes and 30 seconds. Hit songs are about 3 minutes long because of two major factors: the historic popularity of the 45 rpm record and the monetization methods applied by radio stations and record producers throughout the 20th century. Here I’ll discuss some of my all-time favorite lengthy tunes.
I see a line of cars and they’re all painted black, With flowers and my love, both never to come back
“Paint It, Black” is a song by The Rolling Stones, released as a single on May 7, 1966 and later included on their fourth studio album, “Aftermath.” The song is notable for its distinctive sitar riff played by Brian Jones, which gives it a unique and Eastern-inspired sound. “Paint It, Black” was released as a single in May 1966 and quickly climbed the charts. It reached number one on the Billboard Hot 100 in the US and the UK Singles Chart.
