Covers – River Deep – Mountain High

When I was a little girl, I had a rag doll; The only doll I’ve ever owned

“River Deep, Mountain High” is a seminal track in pop and soul music, often hailed as one of the greatest productions of the 1960s. The song was written by Phil Spector, Jeff Barry, and Ellie Greenwich,

three of the most significant figures in the pop songwriting world of that era. It was originally recorded by Ike & Tina Turner and is often considered Phil Spector’s magnum opus due to its extensive use of his “Wall of Sound” production technique. Phil Spector, who had long admired Tina Turner’s powerful voice,

conceived the song as a monumental production that would combine emotional depth with his lush, orchestrated sound. He co-wrote the song with Jeff Barry and Ellie Greenwich, partners in both life and music, who were behind many of the greatest hits of the era, such as “Be My Baby” and “Leader of the Pack.”

Spector’s vision for “River Deep, Mountain High” was to create something that felt like a musical epic, evoking grand emotions of love and longing, comparing the intensity of a woman’s love to the vastness of rivers and mountains. The recording took place in Gold Star Studios in Los Angeles in 1966. Phil Spector spared no expense during the recording sessions. He hired a massive array of session musicians,

including the famous Wrecking Crew, who were known for their exceptional talent and versatility. The sessions included as many as 21 instruments, with layers of brass, strings, guitars, drums, and percussion, to create Spector’s famous “Wall of Sound.”

The musicians in these sessions included Hal Blaine on drums, Glen Campbell on guitar, Leon Russell on keyboards, Carol Kaye on bass, Jim Horn on saxophone, and Larry Levine as the engineer. Darlene Love, Fanita James, Jean King, Gracia Nitzsche, and Clydie King provided background vocals. Spector was known for his meticulous, and at times obsessive, approach to recording, demanding numerous takes to capture the perfect sound.

He reportedly paid Ike Turner $20,000 to ensure that Tina Turner was the sole lead vocalist on the track, a rare instance in which Ike was excluded from performing on a record with Tina. When “River Deep, Mountain High” was released in 1966, it met with a lukewarm response in the United States, peaking at only No. 88 on the Billboard Hot 100. The poor performance in the U.S. deeply disappointed Spector,

who believed the song was his finest work to date. In contrast, the song was a huge hit in the United Kingdom, where it reached No. 3 on the UK Singles Chart and established Tina Turner as a major force in the British music scene. Many have speculated that racial biases within American radio at the time played a role in the song’s underperformance, as stations were unsure how to categorize or market it: the lavish orchestration appealed to white audiences, while Tina’s raw, soulful vocals drew heavily from Black gospel and R&B traditions.


Covers

Despite its initial commercial underperformance in the U.S., “River Deep, Mountain High” has since been recognized as one of the greatest pop records ever made. It was inducted into the Grammy Hall of Fame in 1999 and has appeared on numerous “greatest songs” lists, including Rolling Stone magazine’s 500 Greatest Songs of All Time. Over the years, “River Deep, Mountain High” has been covered by a variety of artists,

often paying homage to the power of the original. Among the most notable versions is the 1969 cover by The Supremes and The Four Tops, which reached No. 14 in the UK. This rendition, produced by Motown’s Frank Wilson, gave the song a fresh life with a distinctly Motown flavor. Other artists who have covered the song include Deep Purple,

who gave it a progressive rock interpretation on their 1968 album, The Book of Taliesyn. This second studio album featured Rod Evans on vocals. An edited version was released as a single in the United States and reached number 53 in early 1969 and number 42 on the Canadian RPM charts. Celine Dion covered the song on her 1996 album Falling Into You.

Spector’s production style on “River Deep, Mountain High” became a touchstone for many subsequent producers and artists, cementing the song’s influence across genres. Its combination of rock, pop, and soul elements was revolutionary, and it helped pave the way for the blending of musical styles in mainstream music. Tina Turner’s vocal performance, in particular, is often regarded as one of the most powerful in rock history, showcasing the emotional range and energy that would define her career.

Despite Phil Spector’s later troubled life, “River Deep, Mountain High” stands as a testament to his innovation as a producer. It is not only a classic of the 1960s but also a crucial part of the legacy of both Spector and Tina Turner, whose performance remains iconic.

River Deep - Mountain High written by Phil Spector, Jeff Barry, and Ellie Greenwich

When I was a little girl, I had a rag doll;
The only doll I've ever owned...
Now I love you just the way I loved that rag doll;
But only now, my love has grown...

And it gets stronger, in every way...
And it gets deeper, let me say...
And it gets higher, day by day...

And do I love you, my oh my;
Yeah, river deep - mountain high, yeah, yeah, yeah!
If I lost you, would I cry;
Oh, how I love you, baby, baby, baby, baby...

When you were a young boy, did you have a puppy
That always followed you around?
Well, I'm gonna be as faithful as that puppy;
No, I'll never let you down...

Cause it goes on and on, like a river flows;
And it gets bigger, baby, and heaven knows;
And it gets sweeter, baby, as it grows...

And do I love you, my oh my;
Yeah, river deep - mountain high, yeah, yeah, yeah!
If I lost you, would I cry;
Oh, how I love you, baby, baby, baby, baby...

I love you, baby, like a flower loves the spring;
And I can love you, baby, like a robin loves to sing...
And I love you, baby, like a schoolboy loves his pie;
And I love you, baby, river deep, mountain high...

Baby...
Baby...
Baby, oh baby!
OW!
Yeah...

And do I love you, my oh my;
Yeah, river deep - mountain high, yeah, yeah, yeah!
If I lost you, would I cry;
Oh, how I love you, baby, baby, baby, baby...


Further Reading

Sources

Author: Doyle

I was born in Atlanta, moved to Alpharetta at 4, lived there for 53 years and moved to Decatur in 2016. I've worked at such places as Richway, North Fulton Medical Center, Management Science America (Computer Tech/Project Manager) and Stacy's Compounding Pharmacy (Pharmacy Tech).

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