My Favorite Long Songs (Part Two)

So what is the average length of a song these days? The average length of a popular song, according to the most recent Billboard Hot 100, is about 3 minutes and 30 seconds. Hit songs are about 3 minutes long because of two major factors: the historic popularity of the 45 rpm record and the monetization methods applied by radio stations and record producers throughout the 20th century. Here I’ll discuss some of my all-time favorite lengthy tunes.

In-A-Gadda-Da-Vida (17:05 Album) – Iron Butterfly

“In-A-Gadda-Da-Vida” is a psychedelic rock song by Iron Butterfly, renowned for its extended length and distinctive sound. Released in 1968 as the title track of their second album, it famously runs over 17 minutes, making it one of the longest tracks in rock history. The song’s single version, edited down to around 2:53 minutes, achieved significant commercial success,

reaching number 30 on the Billboard Hot 100 chart. The title, a result of vocalist and organist Doug Ingle’s slurred pronunciation of “In the Garden of Eden,” fueled speculation about its meaning, with some interpreting it as a reference to the biblical Garden of Eden or the influence of drugs. Despite mixed critical reception,

the song has endured as an iconic piece of 1960s counterculture music. In 2009, it was named the 24th-greatest hard rock song of all time by VH1. Cash Box said that it was an “eerie blues work with a pounding rhythm backing and hypnotic chord structures”.

Ron Bushy’s two-and-a-half-minute drum solo was the inspiration for Ringo Starr’s drum solo on “The End” from the Beatles 1969 album, Abbey Road. The song is featured in a 1995 episode of The Simpsons, “Bart Sells His Soul”, in which Bart Simpson tricks Reverend Lovejoy’s church into singing the song as an opening hymn by handing out sheet music titled “In the Garden of Eden” by “I. Ron Butterfly”.

Lovejoy describes the hymn as “sound[ing] like rock and/or roll”, whereas Homer recalls a time when he and Marge “used to make out to this hymn”. The church organist, an elderly woman, collapses after playing for the entire seventeen minutes.


Gates of Delirium (21:50) (22:40 Live) Yes

“Gates of Delirium” is a progressive rock epic by the British band Yes, featured on their 1974 album “Relayer.” The song was written by Jon Anderson, Steve Howe, Chris Squire, Patrick Moraz, and Alan White. Running over 21 minutes, it is renowned for its complex musical arrangements, intricate instrumentation, and thematic depth.

The percussion on that song is pretty unusual. Jon [Anderson] and I used to travel together to Chris’ [Squire] home studio, where we recorded the album. We would stop at a junkyard along the way and pick up parts of cars. We’d just go there and bang on things. There were springs and pieces of metal, brake, and clutch plates. We’d buy them and bring them back to the studio. We built a rack and hung all these things off it, and we’d bang on them. During the recording I pushed the whole thing over. That crash is what you hear on the album.

Alan White

Inspired by Leo Tolstoy’s “War and Peace,” the song explores themes of war, peace, and human nature, with its lyrics delving into the brutality and futility of conflict. Musically, it showcases Yes’s virtuosity and innovation, incorporating intricate vocal harmonies, dynamic shifts, and extended instrumental passages. Music journalist and author Chris Welch gave a positive review for Melody Maker, praising the album as “one of the most successful and satisfying Yes albums”. He described “The Gates of Delirium” as a “powerful piece … and benefits by the time structures imposed by this single album.”


Shine on You Crazy Diamond – (26:14) Pink Floyd

“Shine on You Crazy Diamond” is a progressive rock masterpiece by Pink Floyd, spanning over two parts and bookending their 1975 album “Wish You Were Here.” Totaling over 26 minutes, it is divided into nine segments, showcasing the band’s musical prowess and thematic depth.

We originally did the backing track over the course of several days, but we came to the conclusion that it just wasn’t good enough. So we did it again in one day flat and got it a lot better. Unfortunately nobody understood the desk properly and when we played it back we found that someone had switched the echo returns from monitors to tracks one and two. That affected the tom-toms and guitars and keyboards which were playing along at the time. There was no way of saving it, so we just had to do it yet again.

David Gilmour

While no official single version was released, the song was often played on radio stations in edited forms. Written by David Gilmour, Roger Waters, and Richard Wright as a tribute to former band member Syd Barrett, who struggled with mental health issues,

the song delves into themes of madness, alienation, and the fleeting nature of fame. Its haunting melodies, intricate guitar work by David Gilmour, and atmospheric soundscapes have solidified its status as one of Pink Floyd’s most iconic compositions. While it didn’t receive mainstream awards, “Shine on You Crazy Diamond” remains a cornerstone of progressive rock and has garnered widespread critical acclaim for its artistic merit and emotional resonance.


I’m Your Captain (Closer to Home) (10:09)
Grand Funk Railroad

“I’m Your Captain (Closer to Home)” is a rock ballad by the American band Grand Funk Railroad, released on their 1970 album “Closer to Home.” Clocking in at over 10 minutes, it is divided into three distinct sections, showcasing the band’s musical versatility and emotive power. The single version was edited to 5:30 and reached number 22 on the Billboard chart.

Written by vocalist and guitarist Mark Farner, the song reflects his personal struggles with identity and purpose, embodying themes of yearning, introspection, and the quest for spiritual fulfillment. Its soaring vocals, poignant lyrics, and dynamic instrumentation have made it a classic rock staple. In January 2024 the song was used in a television advertisement for Chevrolet Silverado.


I Just Want to Make Love to You (Live 8:36) Foghat

“I Just Want to Make Love to You” is a blues-rock classic originally written by Willie Dixon and famously covered by the British rock band Foghat on their 1972 self-titled debut album. The song runs for approximately 4 minutes and 20 seconds and was released as a single, garnering significant commercial success and radio airplay.

My favorite version was live on their 1977 LP running over 8 minutes. Foghat’s rendition infuses the track with their signature hard-rock sound, featuring gritty guitar riffs and powerful vocals. The lyrics express a straightforward desire for physical intimacy, reflecting the primal urge of romantic pursuit.

While the song didn’t receive major awards, it has become a staple of classic rock radio and remains one of Foghat’s most recognizable hits, embodying the raw energy and sensuality of the blues-rock genre.



Further Reading

Sources

Author: Doyle

I was born in Atlanta, moved to Alpharetta at 4, lived there for 53 years and moved to Decatur in 2016. I've worked at such places as Richway, North Fulton Medical Center, Management Science America (Computer Tech/Project Manager) and Stacy's Compounding Pharmacy (Pharmacy Tech).

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