What Did Delaware, Boys?

What did Delaware, boy, what did “Dela wear”?

“What Did Delaware, Boys?” is a playful American nonsense rhyme whose roots stretch back into the nineteenth century, occupying that curious space where children’s verse, folk humor, and campfire tradition overlap. The rhyme is built around a deliberately groan-worthy pun, with the question “What did Delaware, boys?”

answered by the punch line “She wore her New Jersey,” a joke that hinges on hearing “Delaware” as “Delaware” and “New Jersey” as an article of clothing. Like many such rhymes, its charm lies less in cleverness than in its sheer inevitability, the slow setup inviting the listener to walk straight into the punch line even if they already know what’s coming.

Oh, what did Delaware, boy, what did Delaware?
What did Delaware, boy, what did Delaware?
She wore a brand New Jersey, she wore a brand New Jersey
She wore a brand New Jersey, that's what she did wear
(One, two, three, four)

Oh, why did California, why did Californ'?
Why did California, was she all alone?
She called to say Hawaii, she called to say How are ya
She called to say how are ya, that's why she did phone
(Uno, dos, tres, cuatro)

This simplicity made it easy to memorize, repeat, and pass along orally, which is why it embedded itself so firmly in American childhood culture. By the late nineteenth and early twentieth centuries, the rhyme had become a staple of schoolyards, nurseries, and informal children’s gatherings, often recited as a call-and-response or delivered with exaggerated seriousness for comic effect.

Oh, what did Mississip', boy, what did Missi sip?
What did Missi sip boy, through her pretty lips?
She sipped a Minnesota, she sipped a mini soda
She sipped a mini soda, that's what she did sip

Oh, where has Oregon, boy, where as Ora gone?
If you want Alaska, I'll ask her where she's gone
She went to pay her Texas, she went to pay her taxes
She went to pay her taxes, that's where she has gone

Its structure made it ideal for campfire use, particularly in organizations like the Boy Scouts, where short, clean, easily remembered songs and chants were prized. At camps, it was sometimes expanded with additional state-based puns, or folded into medleys of joke songs designed to keep groups entertained without instruments. In these contexts, “What Did Delaware, Boys?” functioned less as a song in the conventional

sense and more as a communal joke, reinforcing shared cultural knowledge and group belonging through repetition. The rhyme also found an unexpected second life in popular music and recorded entertainment during the mid-twentieth century. Perry Como, known primarily for his smooth baritone and relaxed delivery, recorded a lighthearted spoken-song version that leaned into the joke’s corny innocence.

Oh, how did Wisconsin, boy, she stole a NeBras-ky
Too bad that Arkan-sas boy, and so did Tenne-see
It made poor Flora-di, it made poor Flora-di you see
She died in Missouri, boy, she died in Misery

Oh, what does Iowa? She weighs a Washington.
Oh, what does Idaho? She hoes her Maryland.
Oh, what does Tennessee? She sees what Arkansas.
Oh, where has Oregon? She’s gone to Oklahoma.
Oh, what did Massa-chew? She chewed her Connecti-cud.
Oh, how did Flori-die? She died in Missouri.

Como’s involvement is significant because it reflects a broader trend of the era, when novelty numbers and spoken interludes were common even among mainstream crooners. His rendition treated the rhyme with affectionate irony, presenting it as a bit of Americana rather than a children’s trifle, and in doing so helped preserve it for adult audiences who remembered it from their youth.

Culturally, “What Did Delaware, Boys?” endures because it represents a very specific American sense of humor: clean, obvious, and proudly unsophisticated. It is part of a larger family of geographical pun jokes that use place names as raw material for wordplay, reinforcing familiarity with U.S. states while simultaneously mocking the idea of cleverness itself.

The rhyme’s longevity demonstrates how oral tradition does not always favor depth or originality, but instead rewards material that is easy to pass on and emotionally frictionless. Even today, it occasionally resurfaces in classrooms, camps, and nostalgic media as a shorthand for old-fashioned, harmless fun, a reminder of how a single bad joke can echo across generations simply because people enjoy sharing it.

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Author: Doyle

I was born in Atlanta, moved to Alpharetta at 4, lived there for 53 years and moved to Decatur in 2016. I've worked at such places as Richway, North Fulton Medical Center, Management Science America (Computer Tech/Project Manager) and Stacy's Compounding Pharmacy (Pharmacy Tech).

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