
Holland-Dozier-Holland (H-D-H) was a highly successful songwriting and production team in the 1960s, responsible for creating numerous hit songs for the legendary Motown record label. The trio consisted of Lamont Dozier, Brian Holland, and Eddie Holland.

Together, they played a pivotal role in shaping the Motown sound and establishing it as one of the most influential and successful eras in popular music. Lamont Dozier, Brian Holland, and Eddie Holland grew up in Detroit, Michigan, during the heyday of Motown.

Eddie Holland, born Edward Holland Jr. on October 30, 1939, in Detroit, Michigan, had a passion for music from a young age. He grew up in a musical household and was influenced by gospel, blues, and R&B music. In his early years, Holland pursued a career as a recording artist and achieved moderate success with a few solo releases. However, it was his transition to songwriting that would ultimately shape his legacy.

Brian Holland, born Brian Edward Holland on February 15, 1941, in Detroit, Michigan, had a deep love for music since his childhood. Growing up in a musically inclined family, he honed his skills as a pianist and vocalist. In his early years, Holland formed a singing group called the Satintones[1] with his brother Eddie and their friend Lamont Dozier. Although they achieved some local success, it was their transition to songwriting and production that brought them lasting fame.

Lamont Dozier, born Lamont Herbert Dozier on June 16, 1941, in Detroit, Michigan, had a deep passion for music from a young age. Growing up in a musical family, he was exposed to various genres and instruments. In his early years, Dozier developed his skills as a pianist, guitarist, and vocalist. He formed a singing group with his childhood friends Brian and Eddie Holland called the Satintones.

Although their singing career didn’t take off, Dozier’s talents as a songwriter became evident. They joined forces in the late 1950s, and in 1962, they officially formed Holland-Dozier-Holland. The songwriting team quickly found success within the Motown family, with their first major hit being “Come and Get These Memories/Jealous Lover”, released Feb 22, 1963, by Martha and the Vandellas.
Holland-Dozier-Holland’s music has had over 100 million airplays.
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The Holland-Dozier-Holland configuration has composed over 400 songs, 130 of which have scored on the Pop Charts, over 70 were Top Ten Hits and more than 40 reached the number one chart position.

This was quickly followed by “Heat Wave/A Love Like Yours (Don’t Come Knocking Everyday)”, also by Martha and the Vandellas. It was released on July 9, 1963, and reached #1 on the Billboard R&B chart. Holland-Dozier-Holland’s songwriting style was characterized by infectious melodies, catchy hooks, and relatable lyrics.

They had a knack for creating songs that resonated with both the artists who performed them and the audience who listened to them. Their songs often explored themes of love, heartbreak, and the universal emotions of human relationships.
Click or touch for: List of songs written by Holland-Dozier-Holland
The table is from Wikipedia
| Year | Song title | Original artists | Covering artists |
|---|---|---|---|
| 1962 | “Dearest One” | Lamont Dozier | |
| “Old Love (Let’s Try It Again)” | Mary Wells | Martha and the Vandellas, Four Tops | |
| “Darling, I Hum Our Song” | Eddie Holland | Martha and the Vandellas, Four Tops | |
| 1963 | “Leaving Here” | Eddie Holland | Motörhead, Lars Frederiksen and the Bastards, Pearl Jam, The Birds, The Who, Brownsville Station, The Messengers, The Rationals, and The Volts |
| “Locking Up My Heart” | The Marvelettes | ||
| “What Goes Up Must Come Down” / “Come on Home” | Holland & Dozier | ||
| “Tie a String Around Your Finger” | The Marvelettes | ||
| “Come and Get These Memories” / “Jealous Lover” | Martha and the Vandellas | Hattie Littles, Anna King, The Supremes | |
| “You Lost the Sweetest Boy” | Mary Wells | Dusty Springfield | |
| “Heat Wave” / “A Love Like Yours (Don’t Come Knocking Everyday)” | Martha and the Vandellas | The Who, Linda Ronstadt, and The Jam / Dusty Springfield, Juice Newton, Ike & Tina Turner and The Animals, Phil Collins, Joan Osborne | |
| “(He Won’t Be True) Little Girl Blue” | The Marvelettes | ||
| “Mickey’s Monkey” | The Miracles | Martha and the Vandellas, The Hollies, The Young Rascals, John Mellencamp, Mother’s Finest | |
| “Too Hurt to Cry, Too Much in Love to Say Goodbye” / “Come on Home” | Gladys Horton & The Andantes (credited as The Darnells.) | The Supremes | |
| “When the Lovelight Starts Shining Through His Eyes” / “Standing at the Crossroads of Love” | The Supremes | Dusty Springfield, The Zombies, Bonnie Pointer | |
| “I Gotta Dance to Keep From Crying” | The Miracles | The High Numbers | |
| “Quicksand” / “Darling I Hum Our Song” | Martha and the Vandellas | ||
| “Live Wire” / “Old Love (Let’s Try It Again)” | Martha and the Vandellas | ||
| “Run, Run, Run” / “I’m Giving You Your Freedom” | The Supremes | ||
| “Can I Get a Witness” | Marvin Gaye | Dusty Springfield, The Rolling Stones, Sam Brown, The Steampacket, Lee Michaels, The Temptations, The Supremes, Z. Z. Hill | |
| 1964 | “A Tear from a Woman’s Eyes” (non-single release; competed with “The Way You Do The Things You Do” for a spot on The Temptations’ 7th single.) | The Temptations | |
| “My Lady Bug Stay Away from That Beatle” (never released) | R. Dean Taylor | ||
| “Like a Nightmare” / “If You Were Mine” | The Andantes | ||
| “In My Lonely Room” | Martha and the Vandellas | The Supremes, The Action | |
| “Just Ain’t Enough Love” | Eddie Holland | The Isley Brothers | |
| “Where Did Our Love Go” | The Supremes | Adam Ant, Soft Cell, Pussycat Dolls, Three Ounces of Love, The J. Geils Band, Donnie Elbert, The Manhattan Transfer | |
| “Baby Don’t You Do It” | Marvin Gaye | Small Faces, The Who, The Black Crowes, The Band, The Poets | |
| “Guarantee (For a Lifetime)” (never released) | Mary Wells | ||
| “Baby I Need Your Loving” / “Call on Me” | Four Tops | Johnny Rivers, Eric Carmen, The Supremes, Marvin Gaye & Tammi Terrell, and Joe Stubbs / Shorty Long | |
| “Candy to Me” / “If You Don’t Want My Love” | Eddie Holland | Martha and the Vandellas, Four Tops | |
| “Whisper You Love Me Boy” (never released) | Mary Wells | The Supremes, Chris Clark | |
| “Baby Love” / “Ask Any Girl” | The Supremes | Royal Philharmonic Orchestra, Tony Martin | |
| “Come See About Me” / “(You’re Gone But) Always in My Heart” | The Supremes | The Afghan Whigs, Barbara Mason, Jr. Walker & the All Stars, Choker Campbell and Pat Lewis, Bonnie Pointer, Yo La Tengo, Mark Farner & Don Brewer | |
| “Without the One You Love (Life’s Not Worth While)” / “Love has Gone” | Four Tops | The Supremes & Four Tops | |
| “You’re a Wonderful One” | Marvin Gaye | Don Bryant, Art Garfunkel | |
| “How Sweet It Is (To Be Loved by You)” | Marvin Gaye | Jr. Walker & the All-Stars, The Elgins, James Taylor, Grateful Dead, Joan Osborne, Liz Lands, Ruby Turner, Michael Bublé | |
| 1965 | “Where Did You Go” | Four Tops | |
| “Stop! In the Name of Love” / “I’m in Love Again” | The Supremes | The Hollies, Talas, Kim Weston, Gloria Gaynor, Jonell Mosser | |
| “You’ve Been a Long Time Coming” | Marvin Gaye | ||
| “Who Could Ever Doubt My Love” (non-single release; album-track only) | Brenda Holloway | The Supremes, The Isley Brothers | |
| “Nowhere to Run” | Martha and the Vandellas | Hattie Littles, The Messengers, Tower of Power, Bonnie Pointer, Ruby Turner, Laura Nyro & Labelle | |
| “Back in My Arms Again” / “Whisper You Love Me Boy” | The Supremes | Genya Ravan, High Inergy | |
| “I Can’t Help Myself (Sugar Pie, Honey Bunch)” | Four Tops | The Supremes, Gloria Lynne, Bonnie Pointer, Robert Parker, Johnny Rivers, and Axe | |
| “The Only Time I’m Happy” (limited promo-only single release) | The Supremes | ||
| “Mother Dear” (canceled single release) / “He Holds His Own” | The Supremes | ||
| “Nothing but Heartaches” / “He Holds His Own” | The Supremes | ||
| “Love (Makes Me Do Foolish Things)” | Martha and the Vandellas | The Supremes | |
| “It’s the Same Old Song” / “Your Love Is Amazing” | Four Tops | The Supremes, KC and the Sunshine Band and Joe Stubbs | |
| “Mother Dear” (canceled single release) / “Who Could Ever Doubt My Love” | The Supremes | ||
| “I Hear a Symphony” / “Who Could Ever Doubt My Love” | The Supremes | Stevie Wonder, The Isley Brothers and The Temptations, Royal Philharmonic Orchestra | |
| “Something About You” | Four Tops | Sisters Love, Byron Lee and the Dragonaires | |
| “Take Me in Your Arms (Rock Me a Little While)” | Eddie Holland | The Isley Brothers, Kim Weston, Mother Earth, Jermaine Jackson, The Doobie Brothers, and Blood, Sweat & Tears | |
| “Darling Baby” | The Elgins | Rose Banks | |
| “There’s a Ghost in My House” | R. Dean Taylor | The Fall | |
| 1966 | “(I’m a) Road Runner” | Jr. Walker & the All-Stars | Fleetwood Mac, Steppenwolf, Humble Pie, Peter Frampton, James Taylor, and Jerry Garcia |
| “This Old Heart of Mine (Is Weak for You)” | The Isley Brothers | The Supremes, Ronald Isley, Rod Stewart, Tammi Terrell, Byron Lee and the Dragonaires and The Contours | |
| “Ask Any Man” | Tony Martin | ||
| “My World Is Empty Without You” | The Supremes | Mary Wilson, Della Reese, Diamanda Galás, The Afghan Whigs, Blackjack, Barbara McNair | |
| “Put Yourself in My Place” | The Elgins | The Supremes, Byron Lee and the Dragonaires | |
| “There’s No Love Left” | The Isley Brothers | ||
| “Shake Me, Wake Me (When It’s Over)” / “Just as Long as You Need Me” | Four Tops | The Hollies, Barbra Streisand | |
| “Helpless” / “A Love Like Yours (Don’t Come Knocking Everyday)” | Kim Weston | ||
| “Call on Me” | Shorty Long | ||
| “Love Is Like an Itching in My Heart” / “He’s All I Got” | The Supremes | ||
| “Who Could Ever Doubt My Love” | The Isley Brothers | ||
| “I Like Everything About You” | Four Tops | ||
| “I Guess I’ll Always Love You” | The Isley Brothers | The Supremes | |
| “Nothing but Soul” | Jr. Walker & the All-Stars | ||
| “Love’s Gone Bad” / “Put Yourself in My Place” | Chris Clark | ||
| “You Can’t Hurry Love” / “Put Yourself in My Place” | The Supremes | Phil Collins, Stray Cats, Dixie Chicks | |
| “Little Darling (I Need You)” | Marvin Gaye | The Doobie Brothers | |
| “Reach Out I’ll Be There” / “Until You Love Someone” | Four Tops | Diana Ross, Thelma Houston, Michael Bolton, Gloria Gaynor, Bobby Taylor & the Vancouvers and Snuff | |
| “Stay in My Lonely Arms” | The Elgins | Diana Ross & the Supremes, Four Tops | |
| “You Keep Me Hangin’ On” / “I Wanna Mother You, Smother You with Love” (canceled single release) | The Supremes | ||
| “You Keep Me Hangin’ On” / “Remove This Doubt” | The Supremes | The Jackson 5, Joe Stubbs, Rod Stewart, Barry White, and Snuff | |
| “Standing in the Shadows of Love” / “Since You’ve Been Gone” | Four Tops | The Jackson 5, Joe Stubbs, Rod Stewart, Barry White and Snuff | |
| “I’m Ready for Love” | Martha and the Vandellas | The Temptations, June Pointer, High Inergy | |
| “(Come ‘Round Here) I’m the One You Need” | The Miracles | The Jackson 5, The Cowsills, The GP’s | |
| “Heaven Must Have Sent You” | The Elgins | Diana Ross & the Supremes, Bonnie Pointer | |
| 1967 | “Just One Last Look” (non-single release; album-track only) | Four Tops | The Temptations |
| “Love Is Here and Now You’re Gone” / “There’s No Stopping Us Now” | The Supremes | Michael Jackson | |
| “Your Love Is Amazing” | Shorty Long | Byron Lee and the Dragonaires | |
| “Jimmy Mack” / “Third Finger, Left Hand” | Martha and the Vandellas | James Brown, Laura Nyro & Labelle, Bettye LaVette, Sheena Easton, Lani Hall, Bonnie Pointer | |
| “Bernadette” / “I Got a Feeling “ | Four Tops | ||
| “My World Is Empty Without You” | Barbara McNair | Cover of The Supremes | |
| “The Happening” / “All I Know About You” | The Supremes | Herb Alpert & the Tijuana Brass | |
| “Just Ain’t Enough Love” | The Isley Brothers | ||
| “7-Rooms of Gloom” / “I’ll Turn to Stone” | Four Tops | Blondie, Pat Benatar | |
| “I Understand My Man” | The Elgins | ||
| “Your Unchanging Love” / “I’ll Take Care of You” | Marvin Gaye | ||
| “Reflections” / “Going Down for the Third Time” | Diana Ross & the Supremes | Syreeta, Four Tops, The Temptations, Michael McDonald, Sweet, Luther Vandross | |
| “One Way Out” | Martha and the Vandellas | ||
| “You Keep Me Running Away” / “If You Don’t Want My Love” | Four Tops | ||
| “I Got a Feeling” | Barbara Randolph | ||
| “In and Out of Love” / “I Guess I’ll Always Love You” | Diana Ross & the Supremes | ||
| 1968 | “Whisper You Love Me Boy” | Chris Clark | |
| “Forever Came Today” | Diana Ross & the Supremes | The Jackson 5, Commodores | |
| “I’m in a Different World” | Four Tops | ||
| 1969 | “We’ve Got a Way Out Love” | The Originals | |
| “Crumbs off the Table” (HDH as “Edythe Wayne”) | The Glass House | Laura Lee | |
| “While You’re Out Looking For Sugar” (HDH as “Edythe Wayne”) | Honey Cone | ||
| “Girls It Ain’t Easy (HDH as “Edythe Wayne”) | Honey Cone | ||
| 1970 | “Give Me Just a Little More Time” (HDH as “Edythe Wayne”) | Chairmen of the Board | Angela Clemmons, Kylie Minogue |
| “(You’ve Got Me) Dangling on a String” (HDH as “Edythe Wayne”) | Chairmen of the Board | ||
| “Band of Gold” (HDH as “Edythe Wayne”) | Freda Payne | Sylvester, Charly McClain, Belinda Carlisle, Bonnie Tyler and Kimberley Locke | |
| “Westbound #9” (HDH as “Edythe Wayne”) | The Flaming Ember | ||
| 1972 | “The Day I Found Myself” (HDH as “Edythe Wayne”) | Honey Cone | |
| “Don’t Leave Me Starvin’ For Your Love” | Holland–Dozier–Holland | Laura Lee | |
| “Why Can’t We Be Lovers” | Holland–Dozier–Holland | ||
| 1973 | “You’re Gonna Need Me” | Dionne Warwick |
Please note that this list may not be exhaustive

In 1967, H-D-H, as they were familiarly called, entered into a dispute with Berry Gordy Jr. over profit-sharing and royalties. Eddie Holland had the others stage a work slowdown and, by early 1968, the trio had left the label. They started their own labels, Invictus Records and Hot Wax Records, which were modestly successful.



When Motown sued for breach of contract, H-D-H countersued. The subsequent litigation was one of the longest legal battles in music industry history. Because they were legally contracted to Motown’s publishing arm, Jobete, they could not use their own names on songs they wrote, and their material was credited to Wayne-Dunbar.

Edith Wayne was a friend of the Holland family, and Ron Dunbar (April 15, 1939 – April 3, 2018) was an associate who was a songwriter and producer. The lawsuit was settled in 1977. Although their time as a songwriting team eventually ended, Holland-Dozier-Holland’s contributions to the music industry cannot be overstated.



On May 13, 2003, Holland–Dozier–Holland was honored as BMI[2] Icons at the 51st BMI Pop Awards. Their songs defined the Motown era and influenced countless artists and songwriters that followed. They were inducted into the Songwriters Hall of Fame in 1988, recognizing their significant impact on popular music.
Originals
Covers
Footnotes
- The Satintones recorded a few singles, including “Angel” and “When I Come Home,” during the late 1950s and early 1960s. However, they did not achieve significant commercial success, and Eddie Holland eventually shifted his focus to songwriting and production alongside Brian Holland and Lamont Dozier. [Back]
- BMI (Broadcast Music, Inc.) is a performing rights organization that collects and distributes royalties for musical compositions. They play a significant role in the music industry by recognizing and honoring the achievements of songwriters and publishers. BMI presents several prestigious awards annually to acknowledge the impact and popularity of various musical works. These awards include the BMI Pop Awards, BMI R&B/Hip-Hop Awards, BMI Latin Awards, and BMI Country Awards, among others. The BMI Awards celebrate the success and creative contributions of songwriters and artists across different genres, reflecting the organization’s commitment to recognizing excellence in music. Through these awards, BMI continues to support and promote the art of songwriting and its impact on popular culture. [Back]
Further Reading
Sources
- “Holland-Dozier-Holland Johnny Mercer Award” (2009) https://www.songhall.org/awards/winner/holland_dozier_holland
- The Supremes: The Ultimate Collection [CD booklet]. (1997). Universal Music.
- George, N. (1985). Where Did Our Love Go?: The Rise and Fall of the Motown Sound. St. Martin’s Press.
- Romanowski, P., & George-Warren, H. (Eds.). (1995). The New Rolling Stone Encyclopedia of Rock & Roll. Fireside.
- Unterberger, R. (2009). Holland-Dozier-Holland Biography. AllMusic. Retrieved from https://www.allmusic.com/artist/holland-dozier-holland-mn0000951348/biography
- “About BMI” – BMI. Retrieved from https://www.bmi.com/about/
- “BMI Awards” – BMI. Retrieved from https://www.bmi.com/award-shows



