“Crimson and Clover” / “Some Kind of Love” – Doyle’s Space: Music Hall of Fame – SOS Award

This “Stand Out Single” spent sixteen weeks on the Billboard Hot 100 and reached number one in February 1969, remaining there for two weeks.

Released in late 1968, “Crimson and Clover” marked a dramatic artistic shift for Tommy James and the Shondells. Up to that point the group had built its reputation on energetic pop-rock hits such as “Hanky Panky,” “I Think We’re Alone Now,” and “Mony Mony,” but Tommy James wanted to move into a more psychedelic and atmospheric direction.

The song was written by Tommy James and the band’s drummer, Peter Lucia Jr., and was produced by James himself. The title came from words that James felt sounded romantic and evocative; “crimson” suggested intensity and passion, while “clover” conveyed softness and good fortune. Rather than telling a detailed story, the lyrics create a dreamlike mood centered on the feeling of being deeply infatuated with someone. The famous repeated phrase “crimson and clover, over and over”

became one of the most recognizable hooks of the late 1960s. The recording itself was innovative for its era. James experimented with tremolo and vocal effects that gave the record its swirling, hypnotic sound. The single that reached the public was actually an unfinished rough mix. After James played an advance copy for Chicago radio station WLS,

the station aired it without waiting for the official release. Listener response was so overwhelming that Roulette Records rushed the rough mix into production. James later said he had intended to continue refining the recording, but the label decided to capitalize on the immediate excitement. The resulting single became one of

the defining records of the psychedelic-pop era and helped distinguish the band from many of their contemporaries. Commercially, “Crimson and Clover” was a massive success. The single spent sixteen weeks on the Billboard Hot 100 and reached number one in February 1969, remaining there for two weeks. It also topped charts in several other countries and became the biggest-selling record of Tommy James and the Shondells’ career,

with sales reported in the millions. In Billboard’s year-end rankings for 1969, it finished among the biggest singles of the year, and over time it has consistently appeared on lists of significant songs from the 1960s. Critics and fans alike often regard it as the group’s signature recording and one of the landmark psychedelic-pop singles of its decade.

Several versions of the song exist. The original 45 RPM single runs approximately 3:23, while a longer album version on the album Crimson & Clover extends the arrangement with additional instrumental passages and guitar solos. Over the decades the song has been covered by numerous artists, most notably Joan Jett, whose 1982 version became a

major hit and introduced the song to a new generation. Other recordings have been made by artists ranging from Prince to Dolly Parton, demonstrating the song’s unusual ability to cross genres while retaining its distinctive atmosphere.

Musicians

  • Tommy James (lead vocals, guitar, keyboards)
  • Peter Lucia Jr. (drums, percussion)

The B-side, “Some Kind of Love,” is a much less celebrated but interesting companion piece. Written by Tommy James and Peter Lucia Jr., the song reflects the band’s continuing move away from straightforward pop and toward a more mature, introspective style. Whereas “Crimson and Clover” is dreamy and hypnotic, “Some Kind of Love” is more direct and melodic,

focusing on the search for emotional connection and affection. The arrangement is comparatively restrained, allowing the vocals and melody to carry the song. Although it never achieved the fame of the A-side and did not chart independently, many collectors and longtime fans regard it as one of the stronger non-hit recordings from the group’s late-1960s period.

“I’m Taken”, written by Tommy James and Bo Gentry, appeared as the B-side on promotional copies and in certain international markets.

Because “Crimson and Clover” became so dominant, “Some Kind of Love” has often been overshadowed in historical discussions. Nevertheless, the pairing of the two songs made for a remarkably strong single. The contrast between the experimental atmosphere of the A-side and the more traditional pop craftsmanship of the B-side showcased the range that

Tommy James and the Shondells had developed by the end of 1968. The record arrived at a moment when psychedelic music was reaching mainstream audiences, and it captured that transition perfectly. Among the many pieces of trivia surrounding the single is the fact that its accidental radio premiere helped create one of the era’s biggest hits.

Another notable fact is that the title phrase “Crimson and Clover” was created largely for its sound rather than any specific narrative meaning. The song’s tremolo-drenched vocal effect was unusual for a chart-topping pop single at the time and contributed greatly to its distinctive identity.

Decades later, the record remains a staple of oldies radio, classic-rock playlists, and retrospective discussions of late-1960s pop music. For many listeners, it represents the artistic peak of Tommy James and the Shondells and stands as one of the most enduring singles of the psychedelic era.

Crimson and Clover written by Tommy James and Peter Lucia

Ah, now I don't hardly know her
But I think I could love her
Crimson and clover

Ah when she comes walking over
Now I've been waitin' to show her
Crimson and clover over and over

Yeah, my, my such a sweet thing
I wanna do everything
What a beautiful feeling
Crimson and clover over and over

Crimson and clover over and over
Crimson and clover over and over
Crimson and clover over and over
Crimson and clover over and over

Crimson and clover over and over
Crimson and clover over and over

Some Kind Of Love written by Tommy James and Peter Lucia

There are so many places, baby.
I've seen lots of lonely faces, baby.
Well, I learned one thing, girl; don't let love get away, yeah.
Somebody's sat beside you all the time, feel so fine.

[Chorus]
Gotta find some kind of love,
Gotta make it with a girl like you.
Gotta find some kind of love,
If you're lookin' for lovin', too.

Hey, you know, you really get to me, baby.
You're makin' it seem so easy, baby.
I think of the time that I wasted; get me so uptight, yeah.
That's all over, baby, everything's a-gonna be alright.

I'm Taken written by Tommy James and Bo Gentry (P. Anders)

Hey, be comin' on so nice to me
And let you think it ain't so hard to see.
You're not actin' like you know you should
And that's no good. No.

You know you shouldn't look at me that way.
'Cause when you do, you know I wanna stay.
You make me wish my heart was made of wood
And that's no good.
I'm taken and you'd just be fakin' your heart out.
I'm taken and you'd be mistaken to start out.
'Cause I'm not out for love.

I've got somebody who's so good to me.
But if I didn't, I'd be glad to be
The one to live you like nobody could. I could.
But I'm taken and you'd just be fakin' your heart out.
I'm taken and you'd be mistaken to start out.
'Cause I'm not out for love. No.

I'm taken and you'd just be fakin' your heart out.
I'm taken and you'd be mistaken to start out.
Further Reading
Sources

Author: Doyle

I was born in Atlanta, moved to Alpharetta at 4, lived there for 53 years and moved to Decatur in 2016. I've worked at such places as Richway, North Fulton Medical Center, Management Science America (Computer Tech/Project Manager) and Stacy's Compounding Pharmacy (Pharmacy Tech).

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